I’ve been looking forward to reviewing Café Flesh for a long time now. Not only do I love classic movies, but this one has been in my sights for a while now and I am definitely ready to give it some review love!
The basic story of Café Flesh follows a post-apocalyptic society broken into two segments – the cans and the cannots. Ninety-nine percent of the population are Sex Negatives who long to fuck, but are unable to withstand another’s touch without getting violently ill. The slim one percent are Sex Positives, the ones who can still get it on, and do on-stage in performances for the masses who were not so fortunate. The stage is Café Flesh, a sexy cabaret where erotic delights are the most popular items on the menu. Yum.
There are a few things about this film that make me love it so much. First, what an amazing premise – having the few that can still fuck do it on front of the ones who can’t, for their enjoyment. There is something so subversive and risqué about that, and I love it! The faces of the Sex Negatives as they watch the action are amazing. Those sneers and grotesque grimaces of longing are the details that really make it for me.
Another thing I love about this movie is the art house bizarre-ness of the Café Flesh performances. Some of them are seriously weird/amazing. Like take the first performance, with a guy dressed as a giant rat milkman seducing a sexy mama with her three babies (all grown men dressed as babies, with bibs and rattles) in high-chairs in the background. She rubs herself all over his long rat tail, which is both disgusting and hot at the same time. Each of the performances are this way, and definitely have thinking about them long after the sex is over.
Sex-wise, we get a little standard ‘80s porn fair, with decent close-ups, full pubic hair (yay!) and lots of big hair. Even nearly 30 years old, this awesome art-house flick totally brings it! Thanks Rinse Dream!
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